EACH season, the Royal Northern College of Music is invited to send a group of young musicians to perform at the fortnightly recitals of the Kendal Midday Concert Club. The three students to appear most recently were Emma Pros Carey (clarinet), Yasuko Watanabe (cello) and Jonathan Ellis (piano) the Ellis Trio. This is an admirable tradition and one that provides a valuable platform for the students who have displayed considerable potential - the Ellis Trio proved to be no exception.

Individually each of these players has much to offer. Miss Carey has a refined sense of phrasing and musical line, her tonal and dynamic range will, no doubt, widen with experience but already it possesses an attractive lyrical quality while her rhythmic sense is secure. Miss Watanabe, displaying a similar rhythmic security, possesses a small but pleasant tone, finger dexterity, an ability to blend effectively with her partners and a coolness of mien that will always stand her in good stead. Mr Ellis, for me the lynch-pin of the trio, has a technique to be proud of, is sensitive to the musical requirements of the ensemble and is aware at all times of the importance of correct internal balance.

On the evidence of this recital (in which Romantic works by Max Bruch and Brahms were played) the two ladies need to develop a more confident projection so that the overall tonal effect is richer and deeper. Their intonation, too, needs attention. This aspect of music-making is so important and, unfortunately, there were many less-than-satisfactory moments during which the tone (particularly in the cello's higher regions) was somewhat unfocused.

Beautiful music, an abundance of luxurious textures and lyrical melody, lovely playing from the players all was there and yet a sparkle and an impact was missing. Here is a trio of true musicians no doubt about that. But, at present, they have some way to travel before they become a true trio. I'm sure they are aware of this and that they will work hard to achieve that end.

Brian Paynes